I am Frank Bitencourt Fontes, from the Baniwa people, of the Waliperidakenai clan. I was born on November 12, 1991, in the community of Assunção do Içana, son of Francisco Luis Fontes (Francisco Baniwa) and Lúcia Bitencourt, both farmers and artisans.

Since childhood, I have always enjoyed drawing and painting. Much of the talent I have today comes from my parents. Since school, I used to illustrate the research with the community’s elders about sacred places, medicinal plants, location of piracema [period of fish reproduction], musical instruments, songs, and traditional agriculture. I also drew and painted during Catholic religious events, such as the religious celebration of Gincana Mariana, which takes place every year in the community. One of the paintings I created was of Our Lady of the Amazon, and I also drew Our Lady of Nature, using creativity to imagine what this goddess protector of nature might look like.

At the invitation of Francy Baniwa, I created the illustrations for the book Umbigo do Mundo [Navel of the World], a total of 75 works. I also painted 30 watercolours for Francy’s doctoral thesis on the donas de roça (knowledge keepers of traditional agriculture), depicting women’s work and star constellations that are essential to the life cycle within the territories. The 75 watercolours were acquired by the Inhotim Institute.

MADZEROKAI
the Baniwa Living School

The Medzeniakonai are inhabitants of the cultural and multilingual system of the Upper Rio Negro, an area of approximately 250,000 km² that covers the north-west of the Amazon basin. It is in this territory that is located Madzerokai, the House of Ancestral Knowledge, the Baniwa Living School.

My name is Larissa Bitencourt Fontes, from the Medzeniako people – which means “Those who are born speaking the language”, my people are also known as Baniwa. I was born in the community of Assunção do Rio Içana, within the Alto Rio Negro Indigenous Land, in the municipality of São Gabriel da Cachoeira, Amazonas. I belong to a generation with a strong history, I come from a very important lineage to my Medzeniako people. My grandparents are people with great knowledge, who inspire me to follow in the footsteps of the knowledge keepers. I am a 19-year-old woman, am part of the community’s youth group, and I also am one of the young people who take part in institutional events of the Federation of Indigenous Organizations of the Rio Negro (FOIRN) – in assemblies, seminars, and workshops on various topics such as: education, sustainability, health, territory, and youth leadership within Indigenous lands.

I am a member of the school council, my grandmother Bibiana Fontes is a midwife and knowledge keeper of traditional agriculture; my grandfather Francisco is a great Madzero master; and my grandmother Lúcia Bitencourt is also a great cultivator of traditional agriculture. These people inspire me every day to look at my territory with new eyes, to value the elders, and to learn to listen to them more deeply. They are my sources of inspiration, just as my mother has been an example of determination and strength. My family is my foundation, my Indigenous university within the community. In my community, I am a youth leader who plays the guitar and the transverse flute. I am a dreamer and part of the Baniwa Living School Madzerokai – House of Ancestral Knowledge, a collective dream.

MADZEROKAI
the Baniwa Living School

The Medzeniakonai are inhabitants of the cultural and multilingual system of the Upper Rio Negro, an area of approximately 250,000 km² that covers the north-west of the Amazon basin. It is in this territory that is located Madzerokai, the House of Ancestral Knowledge, the Baniwa Living School.

Rua Yube Huni Kuin (1976, Kaxinawá Indigenous Land of the Jordão River, Brazilian State of Acre) is an artist, father of 9 children, and teacher in the Coração da Floresta Village, Acre. As an artist, he works with drawing, canvas painting, and body painting with the natural jenipapo dye, and he also sings in the traditional ceremonies of his people. As an educator, he currently works with 26 children in the village school, teaching history, music, and traditional culture in the Hatxa Kuin language. He also accompanies and assists pajé Dua Busë, coordinator of the Huni Kuin Living School, in his activities with medicinal plants and the training of young people within the territory. hatxa kuin. Também acompanha e auxilia o pajé Dua Buse, coordenador da Escola Viva Huni Kuin, em suas atividades com plantas medicinais e formação de jovens em seu território.

SHUBU HIWEA
Huni Kuï Living School

The Shubu Hiwea Living School is a dream of the pajé DUA BUSË. He lives with his family in the Indigenous village Coração da Floresta [Heart of the Forest], on the Upper Jordan River. Dua Busë has deep knowledge of the Huni Kuï culture – of stories, medicine, music and spirituality - and over the years he has passed on his knowledge to other pajés and apprentices. In his village, he has created a large garden, which he has named Parque União da Medicina [Medicine Union Park], where the traditional medicine of his people is cultivated, studied and practiced.

Ayani Huni Kuin (1988, Kaxinawá Indigenous Land of the Jordão River, Brazilian State of Acre) is an artist and mother. She works across a variety of artistic languages, such as painting, drawing, weaving, and beadwork. Ayani first learned these practices from her mother during childhood and now passes on artistic knowledge to her children. In addition to creating artworks within her territory, at the Coração da Floresta Village – Huni Kuin Living School, Ayani also collaborates with artists from other communities in the Jordão River territory.

SHUBU HIWEA
Huni Kuï Living School

The Shubu Hiwea Living School is a dream of the pajé DUA BUSË. He lives with his family in the Indigenous village Coração da Floresta [Heart of the Forest], on the Upper Jordan River. Dua Busë has deep knowledge of the Huni Kuï culture – of stories, medicine, music and spirituality - and over the years he has passed on his knowledge to other pajés and apprentices. In his village, he has created a large garden, which he has named Parque União da Medicina [Medicine Union Park], where the traditional medicine of his people is cultivated, studied and practiced.

Carlos Papá Mirim Poty (São Paulo, 1970) pertence ao povo Guarani Mbya. É guardião das palavras sagradas Guarani. Ao longo dos últimos anos, Papá vem soprando ao mundo mensagens sobre a importância da valorização e do respeito à Nhe’ëry, a Mata Atlântica. Através de Ayvu Porã, as boas e belas palavras, ele transmite a filosofia e a memória ancestral deixadas por seus avós. Papá destaca-se como o primeiro cineasta indígena do povo Guarani Mbya, tendo dedicando as últimas duas décadas a fortalecer e valorizar a cultura Guarani Mbya por meio da realização de documentários, filmes ficcionais e oficinas culturais e de formação para os jovens. Papá é coordenador da the Guarani Living School e colaborador da Selvagem desde 2019. É também fundador do Instituto Maracá, que promove as artes e culturas dos povos indígenas do Brasil, e também membro do conselho indígena Aty Mirim do Museu das Culturas Indígenas de São Paulo. Foi cocurador com Cristine Takuá da exposição Nhe’ëry, dedicada às cosmovisões indígenas da Mata Atlântica, inaugurada em junho de 2023. Carlos Papá participou de inúmeros festivais e seminários dedicados a fomentar museus e produções culturais indígenas, entre eles o Fórum de Museus Indígenas do Brasil. Atua também como líder espiritual em sua comunidade, sendo conhecedor das plantas que curam e orientam o nosso caminhar. Foi representante da Comissão Guarani Yvy Rupa de 2019 a 2022. São inúmeros os projetos e eventos dos quais participou e para os quais vem sendo convidado nos últimos anos, tais como: Jogos Mundiais dos Povos Indígenas, em Tocantins, 2015; ciclo de debates Mekukradjá – Círculo de Saberes, no Itaú Cultural; diversas sessões, mostras e festivais de cinema, como o Aldeia SP – Bienal de Cinema Indígena, o Festival Tela Indígena, realizado em Porto Alegre, e o Festival de Culturas Indígenas no Memorial da América Latina, em São Paulo. Foi curador do rec.tyty – Festival de artes indígenas. Participou como artista da exposição Moquém-Surari, no Museu de Arte Moderna de São Paulo (MAM-SP), durante a 34ª Bienal de São Paulo. É morador da Terra Indígena Rio Silveira, localizada na divisa entre os municípios de Bertioga e São Sebastião.

ARANDU PORÃ
the Guarani Living School

At Mbya Arandu Porã, name of the Guarani Living School, young people have begun to awaken their dormant memories. Ancestral practices are in dialogue with agroforestry techniques and bee cultivation. In this territory, where the Guarani language is dominant, children and young people find at the Living School a place to learn the stories of their people, practise their art and science.

Mamei Maxakali (1980, Água Boa, Maxakali Indigenous Land – Minas Gerais) is a pajé, artist, and teacher. He lives and works in the Forest School Village, where he cares for one of the kuxex (ritual houses) and collaborates on the Maxakali reforestation project Hãmhi Terra Viva [Hãmhi Living Land]. Mamei stands out for his dedication to the struggle for the expansion of his people’s lands and the strengthening of traditional knowledge, especially the initiation rituals for Maxakali boys and the healing rituals carried out with the yãmïyxop (spirit-peoples of the Atlantic Forest). Recently, he has expanded his artistic practice from songs and body painting to also include works on canvas and drawings.

APNE IXKOT HÂMHIPAK
Maxakali Living School

The Maxakali are ancestral inhabitants of the forests that used to cover the north-east of Minas Gerais and the extreme south of Bahia. They are a people of approximately 3,000 who speak the Maxakali language, one of the last native languages of the region. The Forest School Village, Maxakali Living School, was created from the retaking of a federal property, located in the rural area of Teófilo Otoni (MG).

Isabelinha Maxakali (1980, Água Boa, Maxakali Indigenous Land – Minas Gerais) is an artist and mother of the yãmïyxop (spirit-peoples of the Atlantic Forest). She lives and works in the Forest School Village, where she plays a leading role in organizing healing rituals, collaborating daily with the elders and pajés to strengthen her people’s culture. She is a master artisan in the making of adornments and artifacts crafted from embaúba fiber and beads. In addition to her traditional artistic activities, in recent periods Isabelinha has expanded her practice by exploring the languages of drawing, painting, watercolour, and textile sculpture.

APNE IXKOT HÂMHIPAK
Maxakali Living School

The Maxakali are ancestral inhabitants of the forests that used to cover the north-east of Minas Gerais and the extreme south of Bahia. They are a people of approximately 3,000 who speak the Maxakali language, one of the last native languages of the region. The Forest School Village, Maxakali Living School, was created from the retaking of a federal property, located in the rural area of Teófilo Otoni (MG).

Reality is not just one. For the Tukano people, existence is not limited to the visible world; there are other worlds that coexist with ours. My art and music are a direct record of these other dimensions. This is not a metaphor, but a representation of a fact. The Tukano worldview is the foundation for understanding and navigating these multiple realities.

Each visual and sound work I create results from direct observation, a documentation of what exists beyond what is perceived at first glance. My work serves as a map to these other worlds, a way to make tangible the complexity of reality.

Born in São Gabriel da Cachoeira, I am today one of the coordinators of the Bahserikowi Indigenous Medicine Center in Manaus, a space where this same worldview manifests through the practice of healing and the connection to our culture.

BAHSERIKOWI
Tukano-Desana-Tuyuka Living School

The Bahserikowi Indigenous Medicine Center is located in the city of Manaus, the capital of the state of Amazonas, and articulates relationships with various institutions, such as the Pan American Health Organization, the Brazilian Secretariat of Indigenous Health (SESAI), the Oswaldo Cruz Foundation (Fiocruz), and the Federal University of Amazonas (UFAM). 

The kumuã specialists who consult at the Bahserikowi Indigenous Medicine Center come from the Yepamahsã (Tukano), Utãpirõ-porã (Tuyuka) and Umukori-mahsã (Desana) Indigenous communities of the Upper Tiquié River.

Indigenous researcher and artist from the Desana people, originally from the Upper Rio Negro region, city of São Gabriel da Cachoeira, Brazilian State of Amazonas. Founder of the LGBTQIA+ Indigenous Collective of Amazonas – Miriã Mahsã. Her research centers on the expressions of sexuality and gender of Indigenous bodies, using art in drawing, painting, and photography as methodological tools to explore the formation of bodies within the cosmological universe and affective perspectives.

BAHSERIKOWI
Tukano-Desana-Tuyuka Living School

The Bahserikowi Indigenous Medicine Center is located in the city of Manaus, the capital of the state of Amazonas, and articulates relationships with various institutions, such as the Pan American Health Organization, the Brazilian Secretariat of Indigenous Health (SESAI), the Oswaldo Cruz Foundation (Fiocruz), and the Federal University of Amazonas (UFAM). 

The kumuã specialists who consult at the Bahserikowi Indigenous Medicine Center come from the Yepamahsã (Tukano), Utãpirõ-porã (Tuyuka) and Umukori-mahsã (Desana) Indigenous communities of the Upper Tiquié River.