{"id":9614,"date":"2025-09-25T08:22:54","date_gmt":"2025-09-25T11:22:54","guid":{"rendered":"https:\/\/selvagemciclo.org.br\/?p=9614"},"modified":"2026-01-30T10:35:16","modified_gmt":"2026-01-30T13:35:16","slug":"a-volta-do-idja","status":"publish","type":"post","link":"https:\/\/selvagemciclo.org.br\/en\/a-volta-do-idja\/","title":{"rendered":"THE RETURN OF THE IDJA"},"content":{"rendered":"<h5 style=\"text-align: center;\">THE RETURN OF THE IDJA<\/h5>\n<h5 style=\"text-align: center;\">Veronica Pinheiro<\/h5>\n<p style=\"text-align: center;\">25 September 2025<\/p>\n<h5><\/h5>\n<h5 style=\"text-align: center;\"><b>Drawing and Painting Workshop with earth paint\u00a0<\/b><\/h5>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8389\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image8_bx.jpg\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image8_bx.jpg 933w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image8_bx-300x225.jpg 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image8_bx-768x576.jpg 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image8_bx-16x12.jpg 16w\" alt=\"\" width=\"800\" height=\"600\" \/><br \/>\nThe children of Complexo da Pedreira are not individuals, but \u2018collective people' who manage, amid the chaos, to pulse with life and love. They know how to hold up the sky when it is falling. They know how to dance in such harmonious rhythm that even life stops to watch them move. To observe them is to be cared for by the tomorrow in the very present. There is so much strength and beauty in that piece of childhood that the dialogues about the processes of this Ways of Knowing experienced at the Professor Escragnolle D\u00f3ria Municipal School have reached many places. Lucky are those who have seen the children of Pedreira smile, even luckier are those who have seen them dance. Despite the effort to describe and narrate, words limit the understanding of this Ways of Knowing experience. To minimally understand the learning processes at Pedreira, it takes the whole body combined with the dream of bringing the \u2018normality of beauty\u2019 into everyday life. With the eye to see small things, as Kayque says, and the eye to see beauty, they transform space and, even confined to classrooms without being able to go to the bathroom because of the shooting around the school, they set up colourful parachutes every day and plunge down, trusting in the deep memories of life they carry in their bodies.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8390 size-full\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/pintando_rosto.png\" sizes=\"auto, (max-width: 911px) 100vw, 911px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/pintando_rosto.png 911w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/pintando_rosto-300x198.png 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/pintando_rosto-768x506.png 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/pintando_rosto-18x12.png 18w\" alt=\"\" width=\"911\" height=\"600\" \/><\/p>\n<p>While Brazilian television news programmes reported the pain of Pedreira live, revealing to the world something that only those who live there know, the children found strength in pencil strokes and earth paints. Gunshots and disconnected voices beyond the school walls said, \u2018these are the end times\u2019. The children, however, with fabric, pencils and paint, drew \u2018times of beginning.\u2019 Only 27 children went to school that day. The reasons that lead a family to send their children to school on a day of conflict are as diverse as possible, from food insecurity to fleeing areas of greater vulnerability. However, whatever the reason, this reveals that children are not having their rights guaranteed. As subjects of rights, the children of Pedreira, like all children in the world, have the right to a life with dignity.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8391\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/PINTANDO_PINTAS.png\" sizes=\"auto, (max-width: 911px) 100vw, 911px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/PINTANDO_PINTAS.png 911w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/PINTANDO_PINTAS-300x198.png 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/PINTANDO_PINTAS-768x506.png 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/PINTANDO_PINTAS-18x12.png 18w\" alt=\"\" width=\"911\" height=\"600\" \/><\/p>\n<p>The children of Escragnolle D\u00f3ria Municipal School are capable of cheating death, just as the Ibejis were able to stop Ik\u00fa. Among the various itans of If\u00e1 \u2014 a collection of stories present in Yoruba cosmogony \u2014 there is one that tells of the time when Death set traps to kill the people of a village before their time. When the men consulted the great Orumil\u00e1, they heard that only the Ibejis, \u2018child orix\u00e1s,\u2019 would be able to stop Ik\u00fa, Death. And how did the Ibejis, the twin children of Oxum, stop death? With music, dance, and games. Playing is a technology for maintaining sensitive life in a practical way. By playing at being, we become and recreate worlds.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8392 size-full\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image4_bx.jpg\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image4_bx.jpg 800w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image4_bx-300x225.jpg 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image4_bx-768x576.jpg 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image4_bx-16x12.jpg 16w\" alt=\"\" width=\"800\" height=\"600\" \/><\/p>\n<p class=\"translation-block\">July's Ways of Knowing workshop only took place because the school children were willing to dance, play and build a beautiful story together to give new meaning to a day full of pain. \u2018The Return of Idja\u2019 was a three-day collective activity with a group of children to build a fabric panel celebrating the return of the jaguar to the forests of Rio de Janeiro. After 50 years, the State Environmental Institute (Inea) of Rio de Janeiro identified a jaguar <i>(Panthera onca)<\/i> in the Serra da Conc\u00f3rdia State Park, in Valen\u00e7a, in the south of the state. The jaguar has returned to our land. For the Guarani, it is an Idja, guardian of life. And to celebrate the return of the Idja, the children built a 3-metre panel and coloured the jaguar with yellow earth taken from the schoolyard. This activity required the patience of the little ones and many hours of conversation about <b>NHE'ERY<\/b>, the Atlantic Rainforest.<\/p>\n<p>The return of the Idja, the jaguar, to Rio de Janeiro was perceived by the children as an omen of better days ahead. Pedro, aged 9, while drawing on the fabric with a pencil, exclaimed joyfully that \u2018it is possible for what was once gone to return\u2019. We all felt that Pedro\u2019s exclamation was not just about jaguars.<\/p>\n<p>\u2018The jaguar wasn't over, but hidden away in some very secret place.\u2019 That was the observation made by Gabriel, also aged 9, which made a lot of sense to the children.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8393\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image5_bx.jpg\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image5_bx.jpg 933w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image5_bx-300x225.jpg 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image5_bx-768x576.jpg 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image5_bx-16x12.jpg 16w\" alt=\"\" width=\"800\" height=\"600\" \/><\/p>\n<p>With the raw cotton fabric attached to the whiteboard, we used the projection on the fabric as a starting point. The children drew lines on the fabric with pencils. Then they covered the lines with brown paint. The activity was extremely challenging for Gabriel, a boy who has a breathtaking rush in his chest, and after finishing the first day of activity, it was necessary to wait for the next day. To wait is an unconjugated verb, an infinitive, but without neutrality. Waiting is a verb that names an action, and at Pedreira, waiting is always accompanied by an adverb of manner. The next day is awaited with faith and watered with prayers. For Gabriel, waiting is a long task, and he wanted to see The Painted Guardian on the fabric. We talked about the need for rest to maintain concentration and joy throughout the process of constructing the panel.<\/p>\n<p>On the second day of activity, calmly, stroke by stroke, the panel gained colour. Seeing that the lines were beginning to reveal the Idja, Gabriel repeated, proud of himself and his companions: \u2018I didn't know we were capable of doing something so beautiful.\u2019 He was in a hurry, but at the same time he knew we had steps to follow. Considering the weekend, it took five days in total. Seeing Gabriel have conversations with his anxiety and trust his colleagues to finish the panel was a shared learning experience without words, read in the eyes and gestures...<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8394\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image3_bx.jpg\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image3_bx.jpg 933w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image3_bx-300x225.jpg 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image3_bx-768x576.jpg 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image3_bx-16x12.jpg 16w\" alt=\"\" width=\"800\" height=\"600\" \/><\/p>\n<p>The children finished the painting without me.<\/p>\n<p>After harvesting and sifting soil from the schoolyard, they mixed water and white glue with the soil dust. My absence gave the group the certainty that we were so aligned that they could continue without me, as our agreements were strengthened in the deepest layers that make up each of us. I sent a message: \u2018I know you know what to do!\u2019<\/p>\n<p>I received a video from them saying, \u2018Miss V., thank you for trusting us. We know what to do.\u2019<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8395\" src=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image6-1-1024x768.jpg\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" srcset=\"https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image6-1-1024x768.jpg 1024w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image6-1-300x225.jpg 300w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image6-1-768x576.jpg 768w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image6-1-16x12.jpg 16w, https:\/\/selvagemciclo.org.br\/wp-content\/uploads\/2025\/09\/image6-1.jpg 1280w\" alt=\"\" width=\"800\" height=\"600\" \/><\/p>\n<p>I never doubted that they could finish the job on their own. Children postpone the end of the world. Enchanted drums and children playing are capable of deceiving death. I am sure that even today the Ibejis share with children the wisdom that dispels the traps along the way.<\/p>\n<p>O painel esteve exposto na etapa regional da 5\u00aa Mostra de Multilinguagens da Secretaria de Educa\u00e7\u00e3o do Rio de Janeiro no m\u00eas de agosto. E, enquanto escrevemos esta p\u00e1gina de Di\u00e1rio, recebemos a not\u00edcia de que o painel\u00a0<i>A volta do Idja<\/i>\u00a0foi selecionado para a Mostra Municipal de Artes Visuais. \u00c9 o segundo ano que as crian\u00e7as v\u00e3o para a segunda etapa da Mostra. Em 2024, elas voltaram para a escola premiadas na categoria \u201cLentes do Olhar\u201d.<\/p>\n<p>In the meantime... we keep on building paths so that the school can stay alive!<\/p>\n<p>Long Live the Living School<\/p>\n<p>&nbsp;<\/p>\n<p>_____________<\/p>\n<p><strong>Workshop Description<\/strong><\/p>\n<p>Painting on cotton fabric, 3m x 1.60m<\/p>\n<p>Yellow earth from the schoolyard and fabric paint on canvas.<\/p>\n<p>Mural technique: The children traced the projected image of the jaguar onto the fabric with pencils. They covered the outlines and dark areas with brown fabric paint. Then they filled in the jaguar's body with earth paint, geopaint, prepared by the children.<\/p>\n<p>To prepare the paint, we passed the earth through a fine sieve. Then the children added 2 cups of water to 2 cups of earth and 1 cup of white glue.<\/p>\n<p>Materials: projector, computer, cotton fabric, yellowish earth, brown and green fabric paint.<\/p>\n<p>_____________<\/p>\n<p><strong>References<\/strong><\/p>\n<p><i>Ideas to postpone the end of the world<\/i>, by Ailton Krenak<\/p>\n<p>Idjas \u2013\u00a0<b>NHE\u2019ERY \u2022 AYVU PAR\u00c1 CYCLE\u00a0<\/b>https:\/\/selvagemciclo.org.br\/en\/ciclo-nheery-ayvu-para\/<\/p>","protected":false},"excerpt":{"rendered":"<p>A VOLTA DO IDJA Veronica Pinheiro 25 de setembro de 2025 Oficina de Desenho e Pintura com tinta de terra\u00a0 &nbsp; As crian\u00e7as do Complexo da Pedreira n\u00e3o s\u00e3o indiv\u00edduos, mas \u201cpessoas coletivas\u201d que conseguem, em meio ao caos, pulsar vida e amor. Elas sabem como segurar o c\u00e9u quando ele est\u00e1 caindo. Elas sabem dan\u00e7ar num compasso t\u00e3o harmonioso que at\u00e9 a vida para para v\u00ea-las se mover. Observ\u00e1-las \u00e9 ser cuidado pelo amanh\u00e3 ainda hoje. H\u00e1 um tanto de for\u00e7a e beleza naquele peda\u00e7o de inf\u00e2ncia que os di\u00e1logos sobre os processos de Aprendizagens vividos na Escola Municipal Professor Escragnolle D\u00f3ria t\u00eam chegado a muitos lugares. Sorte tem quem j\u00e1 viu as crian\u00e7as da Pedreira sorrir, mais sorte ainda tem quem as viu dan\u00e7ar. Apesar do esfor\u00e7o para descrever e narrar, palavras limitam a compreens\u00e3o dessa experi\u00eancia de Aprendizagens. Para compreender minimamente os processos de Aprendizagens na Pedreira \u00e9 preciso o corpo inteiro somado ao sonho de trazer&#8230;<\/p>","protected":false},"author":2,"featured_media":8388,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[57],"tags":[],"class_list":["post-9614","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diario-veronica-pinheiro"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A VOLTA DO IDJA - Selvagem<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/selvagemciclo.org.br\/en\/a-volta-do-idja\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A VOLTA DO IDJA - Selvagem\" \/>\n<meta property=\"og:description\" content=\"A VOLTA DO IDJA Veronica Pinheiro 25 de setembro de 2025 Oficina de Desenho e Pintura com tinta de terra\u00a0 &nbsp; As crian\u00e7as do Complexo da Pedreira n\u00e3o s\u00e3o indiv\u00edduos, mas \u201cpessoas coletivas\u201d que conseguem, em meio ao caos, pulsar vida e amor. 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