{"id":11611,"date":"2026-05-18T15:10:32","date_gmt":"2026-05-18T18:10:32","guid":{"rendered":"https:\/\/selvagemciclo.org.br\/?p=11611"},"modified":"2026-05-19T11:43:41","modified_gmt":"2026-05-19T14:43:41","slug":"historias-e-estrelas-madzerokai-chegam-em-genebra","status":"publish","type":"post","link":"https:\/\/selvagemciclo.org.br\/en\/historias-e-estrelas-madzerokai-chegam-em-genebra\/","title":{"rendered":"MADZEROKAI STORIES AND STARS ARRIVE IN GENEVA"},"content":{"rendered":"
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MADZEROKAI STORIES AND STARS ARRIVE IN GENEVA<\/h5>\n

18 may 2026<\/p>\n

This month, a part of Madzerokai, the <\/span>Baniwa Living School<\/span><\/a>, arrived at the <\/span>Geneva Museum of Ethnography<\/span><\/a> (Mus\u00e9e d\u2019Ethnographie de Gen\u00e8ve) in Switzerland. The \u201cHiwirhi Ipaattoni\u201d installation, which translates to \u201cBox of Stars\u201d, was created by the Baniwa Living School during the Waphia Warapaka artist residency in July 2025 and evolved into a commissioned work that is now part of the exhibition <\/span>\u201cThe Future, what\u2019s that?\u201d <\/span><\/a> (\u201cLe futur, c\u2019est quoi?\u201d), which opened on May 7 and runs through January 10, 2027.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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\u201cHiwirhi Ipaattoni\u201d\/\u201cBox of Stars\u201d installation at \u201cThe Future, what\u2019s that?\u201d exhibition in Geneva.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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\u201cHiwirhi Ipaattoni\u201d\/\u201cBox of Stars\u201d is a video installation and one of the four works in the exhibition focused on the dialogue between ancestry and the museum\u2019s archives. \u201cBox of Stars\u201d is located in the \u201cAncestral Future\u201d section and features two projections, one on the wall and the other on the ceiling. While the first displays a film featuring Baniwa origin stories performed by the Assun\u00e7\u00e3o community, produced during the residency last July, the ceiling features Frank Baniwa\u2019s drawings of the constellations present in the stories. Narrated by Francisco Fontes Baniwa, considered a maadzero (\u201cwise man\u201d in the Baniwa language), the film tells about three origin stories of the constellations Buya Wasu (great snake), Tatu (armadillo), and Siusi (no translation into English), where the maloca [large communal house] served as a set and children and young people participated by filming, recording sound, and playing the characters of the stories.\u00a0<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Excerpt from the Baniwa Living School film during the Waphia Warapaka residency in July 2025.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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In the film, Mr. Franciso Fontes draws a correlation between ancestral knowledge of the constellations and the climate crisis, explaining how, in the past, the stars guided the cycles of life \u2013 from fishing to farming \u2013 linking the movements of the sky to the seasons, the presence of certain fish, and even the natural control of sa\u00fava ants. Today, many of these rhythms no longer correspond to the position of the stars in the sky, which shows how environmental impacts affect the balance between nature, time, and ways of life.<\/span><\/p>\n

The residency that gave rise to the work was a partnership between the Baniwa Living School, located in the community of Assun\u00e7\u00e3o do I\u00e7ana in the Upper Rio Negro region, the Mi Mawai collective, a transmedia and interdisciplinary artistic music label that, since 2022, has been jointly developing a Baniwa music archive project called \u201cWaphia Warapaka\u201d about the community\u2019s musical traditions, and L\u2019Abri Gen\u00e8ve, an artistic and cultural space in Geneva.\u00a0<\/span><\/p>\n

The film screened at \u201cHiwirhi Ipaattoni\u201d\/\u201cBox of Stars\u201d brings to life the musical and linguistic heritage of the Baniwa people by featuring songs in the Baniwa language, such as the benobeno \u2013 a traditional Baniwa musical \u2013 as well as songs from other indigenous groups in the region. Furthermore, the audio and visual recording of instruments such as the japurutu and kari\u00e7u flutes ensures that this knowledge, these sounds, and these practices remain alive through the film.\u00a0<\/span><\/p>\n

The installation also features a sculpture of the Buya Wasu done by Frank, the \u201cgreat snake\u201d, created over a three-week period in Geneva in March 2026, during which time he also produced the animations included in the film. The \u201cBox of Stars\u201d also features a hammock for the audience to watch the projections, created by Nathalia Martins, another artist from the Assun\u00e7\u00e3o community.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Sculpture of Buya Wasu, the great snake, by Frank Baniwa.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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For Lucas Canavarro, involved with the project from the start, there is a sense of fulfillment in realizing that, thanks to the partnerships forged with the Baniwa Living School, these songs, drawings, and traditions now resonate within a museum on the banks of another river, crossing new geographies and imaginations. Speaking about the presence of the wisdom of the great Francisco Fontes in the exhibition, Lucas says: \u201cWe are bringing a Baniwa elder to share the stories of his people, which creates a capacity for connection that goes beyond the mere object. It\u2019s a possibility for spiritual connection.\u201d\u00a0<\/span><\/p>\n

The exhibition, aimed specifically for children and teenagers, takes a playful approach, but also highlights the tensions in the relationship with European ethnographic museums\u2014institutions that often function as banks safeguarding treasures, adhering to a logic of preservation that is detached from the living relationships that constitute this knowledge.<\/span><\/p>\n

Incorporating Indigenous narratives into the museum \u2013 with the Indigenous peoples themselves taking center stage \u2013 opens up important fissures in these systems, bringing people and ideas into dialogue through art. The invitation to participate in the Geneva Ethnographic Museum is the result of three years of exchange between the Baniwa Living School, Mi Mawai, and L\u2019Abri\u2014a collaboration that also led to the opportunity for Frank to bring together Swiss artists and very different creative works during the residency in Geneva that preceded the exhibition.\u00a0<\/span><\/p>\n

In the cosmologies of the Upper Rio Negro, the great serpent charts the paths that shaped the world and the stars appear as guides capable of maintaining the balance of time and the universe. Together these presences become a way to traverse the cosmos from within the museum, where a journey through the universe begins within each viewer.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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\u201cHiwirhi Ipaattoni\u201d\/\u201cBox of Stars\u201d installation.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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In June, the Baniwa Living School will participate in another exhibition focused on the Living Schools movement. Opening on June 9 and running through August 9, the new exhibition \u201cLong Live the Living School\u201d arrives at the Tomie Ohtake Institute in S\u00e3o Paulo, featuring more artists and works that see art, life, and education as one. Read more at: <\/span>https:\/\/selvagemciclo.org.br\/en\/viva-viva-escola-viva-sp\/<\/span><\/a><\/p>\n

Frank Baniwa is a Baniwa Indigenous artist, from the Waliperidakenai clan. He was born in the community of Assun\u00e7\u00e3o do I\u00e7ana and is the son of Francisco Luis Fontes (Francisco Baniwa) and L\u00facia Bitencourt, both farmers and artisans. Since childhood, he has always enjoyed drawing and painting, and he says that much of his talent comes from his parents.<\/p>\n

Lucas Canavarro \u00e9 doutorando em Artes Visuais pela UFBA e atualmente mora em Salvador. Nascido no Rio de Janeiro, \u00e9 cineasta, editor e curador, atuando com Mi Mawai h\u00e1 10 anos e trabalhando na coordena\u00e7\u00e3o do projeto Guanabara Pyranga h\u00e1 3 anos.<\/span><\/p>\n

If you\u2019d also like to share information about an activity or exhibition you\u2019ve attended or organized using Selvagem\u2019s materials or initiatives, we invite you to tell us about it using this form. Not only does this bring us great joy, but this feedback is also very important to track Selvagem\u2019s impact around the world.<\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"HIST\u00d3RIAS E ESTRELAS MADZEROKAI CHEGAM EM GENEBRA 18 de maio de 2026 Neste m\u00eas, uma parte da Madzerokai, a Escola Viva Baniwa, chegou ao Museu Etnogr\u00e1fico de Genebra (Muse\u00e9 d\u2019Ethnographie de Gen\u00e8ve), na Su\u00ed\u00e7a. A instala\u00e7\u00e3o \u201cHiwirhi Ipaattoni\u201d, em portgu\u00eas \u201cCaixa de Estrelas\u201d, come\u00e7ou a ser produzida pela Escola Viva Baniwa durante a resid\u00eancia art\u00edstica Waphia Warapaka, em julho de 2025, e se desdobrou em uma obra comissionada que agora faz parte da exposi\u00e7\u00e3o \u201cO que \u00e9 o futuro?\u201d (\u201cLe futur, c\u2019est quoi?\u201d), inaugurada dia 07 de maio e em cartaz at\u00e9 10 de janeiro de 2027. Instala\u00e7\u00e3o \u201cHiwirhi Ipaattoni\u201d\/\u201cCaixa de Estrelas\u201d com rede e proje\u00e7\u00f5es baniwa na exposi\u00e7\u00e3o \u201cO que \u00e9 o futuro?\u201d, em Genebra. \u201cHiwirhi Ipaattoni\u201d\/\u201cCaixa de Estrelas\u201d \u00e9 uma v\u00eddeo-instala\u00e7\u00e3o que configura uma das quatro obras da mostra voltada para uma conversa entre ancestralidade e os arquivos do museu. A \u201cCaixa de Estrelas\u201d se encontra no eixo expositivo \u201cFuturo ancestral\u201d e articula duas proje\u00e7\u00f5es, uma na parede...","protected":false},"author":2,"featured_media":11612,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79],"tags":[],"class_list":["post-11611","post","type-post","status-publish","format-standard","has-post-thumbnail","category-escolas-vivas"],"acf":[],"yoast_head":"\nHIST\u00d3RIAS E ESTRELAS MADZEROKAI CHEGAM EM GENEBRA - Selvagem<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/selvagemciclo.org.br\/en\/historias-e-estrelas-madzerokai-chegam-em-genebra\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HIST\u00d3RIAS E ESTRELAS MADZEROKAI CHEGAM EM GENEBRA - 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