{"id":11197,"date":"2026-04-14T18:33:11","date_gmt":"2026-04-14T21:33:11","guid":{"rendered":"https:\/\/selvagemciclo.org.br\/?p=11197"},"modified":"2026-04-14T18:33:30","modified_gmt":"2026-04-14T21:33:30","slug":"quando-o-quintal-vira-palco-e-o-palco-vira-quintal-memorias-de-flor-memorias-selvagem","status":"publish","type":"post","link":"https:\/\/selvagemciclo.org.br\/en\/quando-o-quintal-vira-palco-e-o-palco-vira-quintal-memorias-de-flor-memorias-selvagem\/","title":{"rendered":"WHEN THE BACKYARD BECOMES A STAGE, AND THE STAGE BECOMES A BACKYARD: flower memories, Selvagem memories"},"content":{"rendered":"
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WHEN THE BACKYARD BECOMES A STAGE, AND THE STAGE BECOMES A BACKYARD:
\nflower memories, Selvagem memories<\/h5>\n

14 april 2026<\/p>\n

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Since his childhood, the Colombian dancer and choreographer Maur\u00edcio Florez has carried a desire in his name: to be a flower. It is by recounting this aspiration that his piece \u201cMem\u00f3rias para se transformar em flor\u201d [Memories to become flower] begins. And since its premiere in 2024, it has been transforming various Brazilian stages. The piece is inspired by the pitanga tree in his backyard, his classes at the Escola de Bot\u00e2nica [School of Botany], and content from Selvagem, which he has been participating closely for many years. It premiered in S\u00e3o Paulo and, like plants, has been winding and intertwining its way through festivals and cultural spaces, also integrating different SESC circuits. In March 2026, the play arrived at SESC Copacabana in Rio de Janeiro, presenting a forest of personal and collective memories, human and non-human.<\/span><\/p>\n

In a way, \u201cSelvagem notebooks permeates all memories,\u201d he said. It all began during the pandemic, in S\u00e3o Paulo, when Maur\u00edcio started paying closer attention to the nature in his backyard and participating in the Botany School and Selvagem\u2019s study groups, where he began as a communications volunteer. Faced with social isolation and all the tragedies linked to the COVID-19 pandemic, he started to observe the vines spreading, the flowers turning into fruit, and the growth of every leaf in the garden, exploring new ways of engaging with this world. Inspired by Vladimir Vernadsky\u2019s words, featured in the Selvagem <\/span>Biosfera [Biosphere]<\/span><\/a>notebook, about how we can perceive shapes and colors but often lack the mechanisms to feel them, Maur\u00edcio began experimenting with ways of being plant.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n

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Memories on the stage. Photo: Guilherme Miranda.<\/span><\/em><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n\n\t

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In \u201cMemories to become flower,\u201d 16 memories are arranged on stage, and Maur\u00edcio invites the audience to evoke between 7 and 8 of them in whatever order they prefer. These are memories about plants, mythologies, and the idea of metamorphosing the body into a flower, drawing on elements from the artist\u2019s journey to explore the many intersections, interactions, and lessons between humans and plants throughout world history \u2013 and his own.\u00a0<\/span><\/p>\n

As part of his creative process, he wrote a letter to the pitanga tree in his backyard, which eventually became the Selvagem \u201c<\/span>Dance and the plot of metamorphosis<\/span><\/a>\" notebook, written from <\/span>the memories of the dance workshop <\/span>Metamorphoses of the Body<\/span><\/i> , which he offered to the Selvagem community in October 2022. The influence of Anderson Santos, from the School of Botany, was also fundamental in enabling the artist to practice how the relationship with nature is capable of changing people\u2019s lives.\u00a0<\/span><\/p>\n

The disconnection between humans and other living beings appears in the speeches of scientists as well as Indigenous leaders and thinkers. How, then, can we restore this bond? There are many answers, but Maur\u00edcio\u2019s preferred one stemmed from the metamorphosis, the central theme of \u201cMemories to become flower\u201d. According to him, through metamorphosis it becomes possible to create a body that not only imagines, but also seeks to feel the rich and refined processes that take place within plants. Processes that call for calm and rest, yet never cease.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Photos: Danielle Satiko.<\/span><\/em><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Through observation and experimentation he studied these processes and gave rise to the play\u2019s choreography, in which, just like flowers, Maur\u00edcio creates movements in relationship with light and gravity. Citing the Selvagem <\/span>Regenerantes de Gaia [Regenerants of Gaia]<\/span><\/a>cycle, the artist explained how he was inspired by the way plants move while at rest and rest while in motion, as well as by the ability of flowers to fly while remaining on the ground. Inhabiting the ground through their roots and the sky through their stems, plants participate in two worlds: one bathed in light and the other cradled by darkness. <\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Maur\u00edcio\u2019s drawings document the physical practices of the body\u2019s metamorphosis.<\/span><\/em><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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Together with other references for the play is a heart inside a glass dome, a statue kneeling on beans, a plant mask, and a box with the butoh dance, along with the Selvagem notebooks \u201c<\/span>Algumas coisas que aprendi com Lynn Margulis<\/span><\/a>\u201d [Some things I learned from Lynn Margulis], \u201c<\/span>Propiocep\u00e7\u00e3o: quando o ambiente se torna corpo<\/span><\/a>\u201d [Proprioception: when the environment becomes body], \u201c<\/span>Plantas como c\u00e9rebros<\/span><\/a>\u201d [Plants as brains], \u201c<\/span>Aspectos da intelig\u00eancia das plantas<\/span><\/a>\u201d [Aspects of plant intelligence], \u201c<\/span>Pytun Jera: night blossoming<\/span><\/a>\u201d, alongside the books \u201cMetamorphoses\u201d by Emanuele Coccia, \u201cSymbiotic Planet\u201d by Lynn Margulis, \u201cBiosphere\u201d by Vladimir Vernadsky, \u201cRegenerants of Gaia\u201d by Fabio Scarano, and \u201cBefore, there were no world\u201d by Umus\u00ef P\u00e3r\u00f5kumu (Firmiano Arantes Lana) and T\u00f5r\u00e3m\u00fc K\u00ebh\u00edri (Luiz Gomes Lana). These books inspire not only Maur\u00edcio but Selvagem\u2019s studies in general, and are part of a constellation of publications by Dantes Editora that, on stage, are passed from hand to hand among those who let themselves be captivated by curiosity, but can also be accessed <\/span>here<\/span><\/a>.<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t

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Books, Selvagem notebooks and other memories. Photo: Maur\u00edcio Florez.<\/span><\/em><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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Created originally without dialogue, just dance, \u201cMemories to become flower\u201d incorporated spoken words by Maur\u00edcio\u2019s desire to speak about the transformations and lessons learned from flowers even before they unfolded through the movements of his body. For the artist, the play\u2019s purpose is to find a simple translation for complex concepts, such as mathematical and chemical formulas, transforming them into sensations that speak to everyone. Through memories that, in Maur\u00edcio\u2019s words, are \u201ccapable of touching the heart without losing scientific rigor,\u201d the piece creates a narrative in which life and science become silence, slowness, and patience, as well as stories about plant intelligence, which, for many audiences, remains an unfamiliar topic.\u00a0<\/span><\/p>\n

In addition to other reference materials, the artist cited the Selvagem notebooks \u201c<\/span>Biosphere, anthropocene and amerindian animism<\/span><\/a>\u201d, \u201c<\/span>Yepamahs\u00e3: complementarity and transformation<\/span><\/a>\u201d, \u201c<\/span>The sun and the flower<\/span><\/a>\u201d, \u201c<\/span>A life drawing trees<\/span><\/a>\u201d, \u201c<\/span>Manifest of a \u2018weed<\/span><\/a>\u201d, \u201c<\/span>Memory does not burn<\/span><\/a>\u201d, and \u201c<\/span>Cosmic web<\/span><\/a>\u201d for those interested in delving deeper into this plant-based universe.<\/span><\/p>\n

By showing how the plant world is also enchanted, the play uses storytelling as an invitation to perceive how life unfolds beyond the human realm, and becomes a guide for each of us to find within ourselves the possibility of blossoming.\u00a0<\/span><\/p>\n

Being part of creating experiences like this is a great joy for Selvagem, and an even greater satisfaction is receiving feedback like that from Maur\u00edcio and others who participate in the study cycles, engage with the materials, and become multipliers of this collaborative network. If you\u2019re interested in learning more about the play and the workshop that accompanies it, you can contact Maur\u00edcio Florez via email at <\/span>infomauricioflorez@gmail.com<\/span><\/a> or on his Instagram <\/span>@mauricio.florez_<\/span><\/a>. And if you\u2019d like to share an activity that you\u2019ve created using Selvagem materials, we invite you to share it with us using this <\/span>form<\/span><\/a>. <\/span>. Not only does this bring us great joy, but this feedback is also very important to follow the impact of Selvagem materials around the world.<\/span><\/p>\n

May \u201cMemories to become flower\u201d be just the beginning of a beautiful journey, and may it continue to blossom in more and more people and flourish on more and more stages!<\/span><\/p>\n\t<\/div>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"QUANDO O QUINTAL VIRA PALCO, E O PALCO VIRA QUINTAL: mem\u00f3rias de flor, mem\u00f3rias Selvagem 14 de abril de 2026   Desde pequeno, o dan\u00e7arino e core\u00f3grafo colombiano Maur\u00edcio Florez carrega no nome um desejo: ser flor. \u00c9 contando sobre essa vontade que come\u00e7a sua pe\u00e7a \u201cMem\u00f3rias para se transformar em flor\u201d, que, ap\u00f3s sua estreia em 2024, vem metamorfoseando diferentes palcos brasileiros, inspirado pela pitangueira de seu quintal, pelas aulas na Escola de Bot\u00e2nica e por conte\u00fados da Selvagem, que vem acompanhando de perto h\u00e1 muitos anos. A pe\u00e7a come\u00e7ou em S\u00e3o Paulo e, como as plantas, foi se enredando e emaranhando por festivais e espa\u00e7os culturais, integrando tamb\u00e9m diferentes circuitos do SESC. Em mar\u00e7o de 2026, o espet\u00e1culo chegou ao SESC Copacabana, no Rio de Janeiro, propondo uma floresta de mem\u00f3rias pessoais e coletivas, humanas e n\u00e3o humanas. De alguma maneira, \u201cos cadernos da Selvagem atravessam todas as mem\u00f3rias\u201d, contou. Tudo come\u00e7ou durante a pandemia, na capital paulista,...","protected":false},"author":2,"featured_media":11199,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[81],"tags":[179,183,182],"class_list":["post-11197","post","type-post","status-publish","format-standard","has-post-thumbnail","category-alcance-e-desdobramentos","tag-alcance","tag-danca","tag-desdobramento"],"acf":[],"yoast_head":"\nQUANDO O QUINTAL VIRA PALCO, E O PALCO VIRA QUINTAL: mem\u00f3rias de flor, mem\u00f3rias Selvagem - Selvagem<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/selvagemciclo.org.br\/en\/quando-o-quintal-vira-palco-e-o-palco-vira-quintal-memorias-de-flor-memorias-selvagem\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QUANDO O QUINTAL VIRA PALCO, E O PALCO VIRA QUINTAL: mem\u00f3rias de flor, mem\u00f3rias Selvagem - 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